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The Riverside Parlor Series (aka the Castleman Concerts) Kicks Off

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How cool is this? Across the street in the middle of nowhere (in the main house of the 311 acre farm over there) there’s a new concert series budding. So incredible to have world class musicians perform just up the hill! Don’t tell anyone that we drove over both times since it was 94 degrees outside.

The Riverside Parlor Series is a dream of Barbara and Adam’s involving the beautifully renovated River House. The house has only had four owners since 1790.

We went to both performances, the first flute and piano and the second, two flutes.

The music was excellent.

Friday 8.15: Barbara O’Brien and Rodrigo Ojeda

Your host Adam Foster.

I particularly love the Poulenc. Here is an unretouched rough recording.


The piano plays the Moonlight Sonata by itself.

Sunday 8.17: Barbara O’Brien and Julie McGough


Fine Lines was composed by a then 9 year old Natalie Joachim (and honestly you can kind of discern that) who later became a member of Eighth Blackbird

We are looking forward to the next Castleman Concert.

Windmill Lane Recording Studios

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I guess visiting a recording studio and scratching the surface of the craft is appealing for some. Windmill Lane certainly has its share of history. But when you have recorded a ton of records, the magic becomes more like hard work. Anyway, we paid a visit to Windmill Lane while in Dublin to see where Voodoo Lounge really is.

U2 records all of their records with these guys…including my absolute favorite. Mastering is done elsewhere.

A bunch of others record there too, including Miley, Kate Bush, and Springsteen.  Run up that hill much?

The tour itself is interesting if you don’t know anything at all about recording, but beyond basic if you do. That’s OK. Hilarious that the space is really not all that expensive to build even with the top stuff. I guess for me, music is the people and not so much the place.

We signed the wall and walked on by.

Where’s Aubrey Hole, Post-production

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Production studio work (setting levels, sound for each instrument, balance, stereo targeting, effects, and choosing tracks) took a couple of days.  Jeff Reid’s studio console looks like this.

Day 2…same scene.

Moonshine came along and he was mostly bored.

Here is what happens during production in three snapshots using the song “One More Roadhouse” as an example.

Raw from the studio tracks, unproduced, arbitrary balance and no targeting

Final studio production, unmastered

Final mastered cut

Where’s Aubrey Recording in Wilmington

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All work and no music makes gem a dull boy.  So we fixed that.  Music refactoring at the Stick followed by recording in Wilmington.  Here are some highlights.

Where’s Aubrey was joined by the incredible Charles Arthur in the studio.

And yes, we started at the Stick (on Ocean Isle Beach) where we practiced.  Our schedule was tight, and sleep is for the weak.  But first things first.  Since Rhine flew into ILM, we set up an impromptu rendezvous with Adrian and Julie.  Dinner was excellent, and Moonshine made a fast friend of Ralph.

We ended up at the Symphony with those fine people come Saturday.

Practice on the porch.

Industry sour with the last bottle of Green Chartreuse in NC.

Moonshine got in some fine music time.

The Wilmington Symphony played Shostakovich 5.

Moonshine, meanwhile, destroyed the screen door.

Turns out I found a musical sibling (same teacher, Linda Case, as Suzuki kids).

The bassist from NY.  Hella talent.

NC sippy cups for the concert.   LOL.

The after party was a blast.  But then it was time for even more work.

Each night before a recording session we crammed on the music.

There was also some beach time.  Moonshine was a hit at doggie day care.

Studio day one.

Hope in time for sunset and breakfast for dinner.

 

More cramming.  And more studio time.

Followed by more beach and more cramming.  We were very efficient, but the work was intense.

Studio day three (the last).

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And then it was time to get into the Liberals.

All in all a great experience.  We bonded as musicians and friends.

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Music at the Shed: A Double Whammy Day

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First there was video and droning.

And then there was music and recording. These pics from a Marcus eye view (mostly)

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Mr Rossie on the console (and composing)

Mr Rossie on the console (and composing)

Dr McGraw on the fiddle

Dr McGraw on the fiddle

Old 48

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Mr Ranum in da shed.

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