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Writing Music at the Stick: Where’s Aubrey

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Where exactly does Where’s Aubrey music come from? Why The Stick of course!

2026 is going to be a music year. And there is work to be done to prepare. Working with Rhine is always a pleasure.

We worked. We had cocktails. We ate food. We moved in. We moved back out. 22 sketches into 12 songs ready to record (once we remember our arrangements).

Sketches are here.

32 Years of Felst

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For me, the highlight of year 32 was this cover of ziggy stardust by moosehut.

32 years. Dang. I will admit that oopstock iterations are starting to run together. Sadly, Romey couldn’t come because Leiden was due any second. In fact, two days after I returned from NH, Leiden was born.

My direct puddle hopper was delayed on the tarmac before taking off (for no real reason). But at least the instruments fit. First on, both flights with a few seconds to stow. Arrival time was 2am, but Rhine was ready with Negroni fixings.

Ah yes, and there were the uncharacteristic shorts kindly loaned from Zay. I forgot to pack shorts. Given the temperatures, that was a major mistake.

There were two warholian projects underway this year in parallel…silk screening and screen tests. Very cool. Maybe inspired by the wedding?? Or maybe just a coincidence.

There was also a stump. We disagree with the “kill the fiddler” sentiments for all the reasons. I mean, exactly how long can a little brother aggravate you?

Meanwhile the stage was set and the fascist clock’s batteries were checked.

Music ran from noon to 10pm before shuttling over to the campfire.


Some salsa for you.


Abba in shorts!

Eventually it got dark.


Hendrix.


And then it was the next day. Another day of uncharacteristic shorts.

All hail the inner chijuana…is that how you spell it?

Lazing

And a visit to the pond before an evening of electric fun featuring lots of Floyd.

We surrender!

The Stick 2024

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Some pix from the Stick. OIB, NC.

T.C. Boyle memorial howitzer

Krispy Kreme factory frier

 

 

AHHHHHH….

Moonishine loves the beach

Where’s Aubrey, Hole now on Spotify

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Where’s Aubrey’s ninth record is also available on many streaming services including spotify, apple music, and youtube music.  Click the cover to launch spotify.  Each song also linked to spotify.

Ever Enough

Holes in My Pride

Drawing Back Your Blade

Restless Water

These Ain’t my Pearls

Forty Crows

Take it Away

Eli’s Song

Full Up

Far too Empty

It Ain’t that Far to Fall

One More Roadhouse

 

The record was released November 11, 2023 (double spinal tap day) during a show at the Barns of Rose Hill.

Where’s Aubrey at the Barns of Rose Hill 11/11

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Thanks to you, the Where’s Aubrey show Saturday 11/11 was a smashing success.  We played to an enthusiastic full house, missing a sell out of the venue by only four tickets.  JOBIE’s opening set was excellent.  An all around evening of great music performed for a good cause.

Speaking of which, together we raised $3305 on Saturday evening with $1983 going to the Shenandoah Riverkeeper to protect our local river.

We also released our ninth record, Hole, which is now available on most streaming services including spotify.  If you would like to join the 18 people who bought a physical copy of the CD for old time’s sake, just get in touch.

Where’s Aubrey before the show: Rhine Singleton, Charles Arthur, Gary McGraw, and Nick Schrenk.

Here are some pictures and videos of the show in approximate chronological order arranged by set lists.  What a night!

The band on stage: Nick on Drums, McGraw on fiddle, Rhine on Guitar, and Charles on everything else.

BORH 11/11: Set One

Your Lies Are Gone

 

Ghosts on the Farm

 

The Miles Roll By

Snippet only

 

Dirty Blond Haired Girl

 

Brown Like Your Cinnamon

*** (stage lighting changed as we performed the entire new record)

All songs linked below to spotify tracks from the record.

 

Ever Enough

 

Holes in My Pride

 

Drawing Back Your Blade

 

Restless Water

 

These Ain’t my Pearls

 

Forty Crows

 

Snippet only

 

BORH 11/11: Set Two

Take it Away

Eli’s Song

Full Up

Far too Empty

It Ain’t that Far to Fall

 

Snippet only

Ham Bone (during a broken string changing exercise)

 

One More Roadhouse

*** (record over, we ended the concert with full band)

Irish Goodbye (JOBIE cover)

Full video

 

Full video (different angle)

 

Devlish Situation

 

Into a Cloud

Snippet only

 

Has it Ever Been this Good

 

JOBIE opening set

Special thanks to Jen Lee for photographs and show publicity.  April Claggett also provided photos and videos.  Romey Michael provided video of Irish Goodbye.  Some images above are Copyrighted.

Two Bitter Liberals on Stage 11/11 in Berryville

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Nick Schrenk, the consumate Winchester-based jazz drummer, and Gary McGraw, lifetime fiddle player (or is that violin?), will be performing together on stage again during the Where’s Aubrey benefit concert for the Barns of Rose Hill. They will be joined by Richmond-based multi-instrumentalist and professional-musician, Charles Arthur, and Where’s Aubrey frontman, New-Hampshire-based Rhine Singleton.

Tickets are on sale now. We recommend getting your tickets in advance, soon. Use this link –> https://bit.ly/WA-BORH23 (or call the box office directly at (540) 955-2003).

See details on the poster below.

Nick Schrenk on the drums

Where’s Aubrey Hole, Post-production

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Production studio work (setting levels, sound for each instrument, balance, stereo targeting, effects, and choosing tracks) took a couple of days.  Jeff Reid’s studio console looks like this.

Day 2…same scene.

Moonshine came along and he was mostly bored.

Here is what happens during production in three snapshots using the song “One More Roadhouse” as an example.

Raw from the studio tracks, unproduced, arbitrary balance and no targeting

Final studio production, unmastered

Final mastered cut

Where’s Aubrey: New Song from Hole

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Where’s Aubrey has completed work on a new record (now in duplication pre-release) called Hole. The last track on the record is a Where’s Aubrey classic called “one more roadhouse.” Here is a pre-release version of that song all mastered and ready to go,

The Ulluh and his sister created the art for the new record, about which more later. Here’s the cover.

Hole will be released on November 11th (veterans day) at the Barns of Rose Hill in Berryville. We hope you will come join us.

Get your tickets now!

Where’s Aubrey at the Barns of Rose Hill 11/11: Save the Date

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Where’s Aubrey will perform all original music from their brand new ninth record, Hole, at a benefit concert November 11th at the Barns of Rose Hill in Berryville.  All proceeds from the concert benefit the Shenandoah Riverkeepers.

Get your tickets now.

Here is a rough mix of track six on Where’s Aubrey’s new record Holes.  The record is currently in final production.

 

About: Local violinist Gary McGraw (The Bitter Liberals) and New Hampshire songwriter Rhine Singleton are Where’s Aubrey.  Where’s Aubrey will be joined at this show by Richmond multi-instrumentalist Charles Arthur (featured at the Virginia Museum of Fine Arts) and Winchester jazz drummer Nick Shrenk.  Where’s Aubrey is releasing a new record at the show called Holes.  Where’s Aubrey has performed since 1985, releasing nine records and raising $17,000 for charity. Singleton’s original songs, cloaked and hooded by McGraw’s improvisation on the fiddle and mandolin, range from old-timey folk music to modern jazz.

Gary McGraw has played the violin since he was just three years old (54 years for those of you counting), and has performed at Carnegie Hall, the Kennedy Center and the Barns of Rose Hill. McGraw met Singleton at the University of Virginia and Where’s Aubrey gradually coalesced into existence in the mid-90s and began recording all original music in 2001.  Gary is also a member of The Bitter Liberals.

Rhine Singleton played piano and violin as a teen, before switching to the acoustic guitar. In his time at the University of Virginia with McGraw, Singleton started singing and was inspired to write his own music. Soon after compiling a strong repertoire of original tunes, the duo began recording under the name Where’s Aubrey.

Although McGraw and Singleton regularly write and record music, it’s rare to see a live performance by Where’s Aubrey.

Date & Time: Saturday, November 11, 2023. Doors open at 6:00 PM and the concert starts at 7:00 PM.

Ticket Price: All tickets are general admission. $20 in advance until 3:00 PM on the day of the event. $25 at the door. Children 12 years and below are free when accompanied by an adult.

Ticket Information:

 or by calling the Barns of Rose Hill Box Office at 540-955-2004 (Noon to 3:00 PM – Tuesday through Saturday). When our Box Office is closed, please leave a message. All ticket sales are final; no exceptions and no exchanges.

Program Sponsors: We extend our special thanks to Michael Hobert and Mary Jane Lee for sponsoring this program!

Program Benefits: Proceeds from this show will benefit Shenandoah Riverkeeper, part of the Potomac Riverkeeper Network. A representative will be in attendance.

 

Where’s Aubrey Recording in Wilmington

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All work and no music makes gem a dull boy.  So we fixed that.  Music refactoring at the Stick followed by recording in Wilmington.  Here are some highlights.

Where’s Aubrey was joined by the incredible Charles Arthur in the studio.

And yes, we started at the Stick (on Ocean Isle Beach) where we practiced.  Our schedule was tight, and sleep is for the weak.  But first things first.  Since Rhine flew into ILM, we set up an impromptu rendezvous with Adrian and Julie.  Dinner was excellent, and Moonshine made a fast friend of Ralph.

We ended up at the Symphony with those fine people come Saturday.

Practice on the porch.

Industry sour with the last bottle of Green Chartreuse in NC.

Moonshine got in some fine music time.

The Wilmington Symphony played Shostakovich 5.

Moonshine, meanwhile, destroyed the screen door.

Turns out I found a musical sibling (same teacher, Linda Case, as Suzuki kids).

The bassist from NY.  Hella talent.

NC sippy cups for the concert.   LOL.

The after party was a blast.  But then it was time for even more work.

Each night before a recording session we crammed on the music.

There was also some beach time.  Moonshine was a hit at doggie day care.

Studio day one.

Hope in time for sunset and breakfast for dinner.

 

More cramming.  And more studio time.

Followed by more beach and more cramming.  We were very efficient, but the work was intense.

Studio day three (the last).

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And then it was time to get into the Liberals.

All in all a great experience.  We bonded as musicians and friends.

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