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Roxy Music in Washington

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The Roxy Music show in DC was excellent and fun.  St Vincent opened up (and not many of the audience members knew her stuff). We rocked out.  Here are some bits.

We parked at the arena (though it cost some $$$ it was way worth it as we drove directly out in under 2 minutes).  We arrived early enough to buy a very bad gin and tonic from the sports betting center on the corner before the show.

We were in the venue about 30 minutes before the show.  Row 12!

St Vincent played lots of material from her new album.

New York

Only mother fucker in the city…

Slow disco.

 

The stage change took about 25 minutes.  And it was worth the wait.

ROXY MUSIC in the house!

The show began with Avalon interstitial into Re-Make/Re-Model.

 

A guitar solo by Phil Manzanera.

Bryan Ferry was full of energy during this show.

 

Andy Mackay on woodwinds.

The guitar gets wild

While My Heart is Still Beating

Roxy gets psychedelic.

As does Romey!  You go girl.

Many of the interludes were beautiful in just the right Roxy way.

One of our all time favorites To Turn You On


The Main Thing

The crowd was into it. And the visuals were just as much of the experience at the music.  One guy in front of us knew every word of every song.

An all time favorite (though honestly I would rather play this than listen to it), More Than This.

Romey captures some bits.

And a very much great version of Avalon (though, don’t be the asshole who talks over this song).

The Warhol set was awesome

Jealous Guy

Congrats on 50 years of being a band, Roxy Music!  You guys still rock.

 

 

 

Making music Near Biella (Miagliano)

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What happens when you convene an eclectic group of artists with a vague plan to “make something” involving music, dance, drawing, and possibly opera?  Well who knows.  We haven’t been able to find out yet as one of the dancers came to Italy with COVID (everyone tested on arrival) and spread it to two others in our group before proper quarantine set in.  The biggest impact involved our fearless leader and chief convener Shooka taking to her bed.

The upshot on Sunday about three hours after landing in Italy was a hastily constructed spettacolo involving Bach, improvisational movement art to unplanned spontaneous music, and Where’s Aubrey in Miagliano, Italy. Amazingly, the people who came to see us actually enjoyed themselves.

We fittingly call ourselves, Into the Unknown.

Instruments fly from Germany

 

Giant guitar case travels well

 

Sogol plays Bach to open the show

 

The audience mostly avoided the actual amphitheater seats, instead opting for the shade

We shifted the “stage” to face the shade loving audience.

 

“Backstage” with a dobro

By far the most interesting part of the show was when the musicians played whatever occurred to them (us?) as the dancers moved to the improvisational music and the artist drew what she heard and saw.  We divided that piece into eight parts defined by the artist.  We also asked the audience to participate by drawing as well.

Movement art

 

Sogol and Dani and April

 

Where’s Aubrey performs with a kluged up sound system

 

Paparazzi

 

Sure

Ultimately, we all had a good time at our first performance (one of three planned so far). Benvenuto in Italia.

More about the show can be found on Rhine’s blog.

 

Nancy Griffith memorial

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During the 28th annual Oopstock, we spontaneously performed this version of Nanci Griffith’s song “Love at the Five and Dime” as a memorial.  Nanci died the day before we performed this song.

Thanks for the music, Nanci.

 

 

Eighth Blackbird at the National Gallery of Art

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National Gallery of Art

What a place to see one of my all time favorite contemporary music groups. Eighth Blackbird played the National Gallery 2.16.20, and the show was free. As always, the group featured brand new music from living composers, including: Nina Shekhar, Fjóla Evans, Andy Akiho, Holly Harrison, David Lang, Viet Cuong, Jonathan Bailey Holland, and Julius Eastman. This show included some ringers in for violin, flute, and clarinet.

Lisa Kaplan, fearless leader and director of eighth blackbird

My favorite set was the second, and my favorite piece was Viet Cuoug’s Electric Aroma (2017),

The most precious thing in the museum was Cora, of course.

Cora does contemporary

The setting (no pictures or recording during the show)

After the concert, there were a few minutes for art.

Then it was out and on the metro for cocktails and dinner at Baba.

Sundown on the mall

Smithsonian sculpture

Wholly Emily

Baba’s bar

john doe krisin hersh grant-lee phillips pittsburgh

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There were three of them. The setting was intimate at Club Cafe.  Negronis were available. Seating was not.

Ye olde van carpool crew

 

 

Krisin opened up with an interesting guitar song that involved intentionally bending chords on an acoustic.  After that song, all bets were off WRT tuning.  Who needs tuning for an intimate acoustic set?  EVERYONE. EVERYONE MUST TUNE.

(please tune)

 

Grant-lee joined in and tuning became mandatory.  This also allowed for some breathing.  Grant-lee is charismatic and fun to watch but about as deep as a puddle.

Duo to go

 

 

 

 

Picture picture for Em

John Doe was fantastic. Thank the stars for a poet singer like him.

John Doe

 

 

 

Hells yes on a great Pittsburgh Sunday night.  So good to see Alisa and Greg!!

Grace Potter at the Anthem: Rock and Roll, Baby

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Great show. Lots of dancing and joy.

 

 

Though this was the second encore, the solo version of Release was the most powerful song of the set.  Yes please.  Need some of this.

 

 

 

 

 

 

 

 

 

 

 

 

 

Rock and roll ending.

 

 

Summer Solstice 2019: Bodacious Bonfire

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First a story of the lighting through the photography of Amy Barley.

Prepare to Burn

Burn

Light it Up

Fire Maiden

And that is how you turn the sun.

Things looked pretty much like this before we started

Then there were several undocumented hours in the river with the special beer float courtesy of Aubrey. We’re still not sure where he is.

The most popular guest of all was baby Cora. (Yes, that is the three McGraw brothers in kilts.)

Panorama by jackie

Idyllic

A video of the lighting.

 

This shot by my brother walt (at his first solstice) is one of my favorites.

From the bridge

Spectacular

When the fire burned down enough to get within 100 feet, we started the music.

Burning pile

Joel Winstead created some great sketches in real time.

Music by firelight

The fire

Gary and Gina

The the thunderstorm moved in around 11pm and we shifted the music to the barn. We played until 4am. What a joy.

Gary and Gina in the barn

Allen behind his hat

There are a few more pictures on the evite page. Thanks to all who came to the 2019 summer solstice fire!

Thanks for coming to the summer solstice!

The National, Charlottesville 4.30.18

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The National

Lighter: old school. There was only one

Maker:S,Date:2017-2-5,Ver:6,Lens:Kan03,Act:Lar02,E-Y

Maker:S,Date:2017-2-5,Ver:6,Lens:Kan03,Act:Lar02,E-Y

Emily is so meta

Birthday Show in New Hampshire: Where’s Aubrey

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Where’s Aubrey
photo by Tom Singleton

What’s the best way to celebrate birthday 52? With a show in New Hampshire of course. Where’s Aubrey played a show in the middle of nowhere in New Hampshire for a receptive audience at the Mole Hill Theater. As always, we played a benefit performance, this time for the LEAF (nutritious lunch) program of a public charter school operating out of the same revamped machine shop where we played the show.

Alstead

A machine

We played our sets right next to a huge blue machine. Not sure what it actually used to do. Stamp out complete cars??

Where’s Aubrey and the big blue machine

The show was high energy and fun, one of the best we’ve played.

Where’s Aubrey: Gary McGraw and Rhine Singleton

Laying into the fiddle

Rhine sings

Mando and the big blue behemoth

Where’s Aubrey in Alstead, NH

no silly allowed? definitely no silly.

fiddle and the big blue behemoth

What kind of stuff does it take to play an acoustic act??

the stage

Well, to be fair, we played our two set show. Then after a break we electrified the whole thing with drums, bass, and electric guitar. The LEAF Cutters were born. Dancing happened. Much fun was had.

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A message from Rhine

Dear Friends and Music Lovers –

Because you and so many others turned out last Saturday night, we not only had a total blast playing music, we raised $1250 for the healthy lunches program at the LEAF school through donations at the door. The silent auction brought in another $1000, so the event truly was a smashing success!

And, you were a wonderful audience to play for. So, we’re sending our heartfelt thanks. Hope to see you at another music event before too long!

fin

Pictures from the Where’s Aubrey Habitat Show 12.29.17

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We played a show last year. Hah. OK, last year was only 7 days ago, but it’s true. During the show, we dropped a new CD called “diversion” which you can order for yourself. Have a listen to our favorite track!

BTW, the super delicious cover art is by Eli McGraw.

Collectively, we raised $1181 for Habitat for Humanity’s work in Clarke County, bringing Where’s Aubrey’s all concert total to $15,662.

The concert was a blast to play. Here are some pictures. In each set, we started out with only two people on stage, Gary McGraw on violin and Rhine Singleton on guitar.

Where’s Aubrey performs at the Barns of Rose Hill 12.29.18 (photo Amy Barley)

 

Eventually (during both sets) we were joined by stunt guitarist Allen Kitselman and drummer Nick Schrenk (both of the Bitter Liberals).

Nick Schrenk of the Bitter Liberals plays drums with Where’s Aubrey 12.29.18 (photo Amy Barley)

 

The gang’s all here. Allen Kitselman play stunt guitar with Where’s Aubrey 12.29.17 (photo Amy Barley)

 

Where’s Aubrey plus two Barns of Rose Hill 12.29.17

 

The highlight of the evening for us was honoring our biggest fan and long time Berryville arts supporter Michael Hobert. Here’s what I said about Michael from the stage.

Michael Hobert (photo Jen Lee)

 

Rhine Singleton (photo Tom Singleton)

 

Where’s Aubrey mid-jam (photo Tom Singleton)

 

Gary McGraw (photo Tom Singleton)

 

Rhine concentrates (photo Tom Singleton)

 

Paging Allen Kitselman, Allen Kitselman to the blue courtesy guitar (photo Tom Singleton)

 

The energy was palpable during the show. Thanks to the 100+ people who came to see Where’s Aubrey perform. We’ll be back.

Where’s Aubrey Jams at Barns of Rose Hill 12.29.17 (photo Jen Lee)

 

Goofing off on stage (in the middle of a song) (photo Jen Lee)

 

Yeah, this is fun (photo Jen Lee)

 

Sensitive Big Boy Music not just reserved for the Bitter Liberals (photo Jen Lee)

 

Yessir (photo Jen Lee)

 

What a Blast! (photo Jen Lee)

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