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Austin City Limits and Billy Strings

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Austin City Limits clinched the deal.

Lots of old school bluegrass. Ironically the standup bass was “unplugged” into an electric bass. The venue…yea please.

It all starts with fiddle.

Billy Strings in Pittsburgh

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We had a great time the first time we went to a Billy Strings show, but we had an even more fun time when we went again. Our fearless leader was Betty. She knows not only the Billy Strings touring family, but also the ropes and the behind the scenes lore. We have learned by now that if you are going to go to Billy Strings, go with Betty.

We drove up Friday just in the nick of time to get stuck in rainy day Pittsburgh rush hour traffic on our way to the Monaco. Betty encouraged us to get to the show when the gates opened so we could get a good spot in the pit (which of course required having pit tickets), so we had a quick bite at the hotel and walked over to the show.

    Friday show

We’ll kick things off with pictures and videos of the Friday show (which later you can compare with the Saturday show posted below).

We were close enough to the stage to have a fantastic view of the band.

The crowd was enthusiastic and lots of fun. We only had minor issues with a gaggle of drunk hippie chicks who invaded our space. By and large the crowd controls itself really well and people have a great time together. (This is especially true of the special area at the very front of the pit where Billy stations himself.)

Billy is the best flat picker on the planet.


Lots of jam
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Did we mention the jam?
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Stratosphere Blues
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Seney Stretch
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Just before halftime we went for some tequila and changed locations.

Soundboard


Richard Petty
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The Billy community gathered for a post-concert photo (this apparently happens after every show). Betty is in here somewhere.

    Saturday show

Saturday morning, our intrepid leader got up early to secure super double plus good bands for us to get into the show with the first 100 people. Our place in the pit was even more incredible as a result. We are so grateful to just ride along. What a treat.

In the mid-afternoon after some art, we returned to the Monaco at a perfect time. We spotted Billy and his dog Bear in the lobby and went over to pat the dog. As we rode the elevetor together, Romey talked about Maybelline while loving on Bear. It was a sweet moment.

We had a really fun time being 95 and 96 and goofing around with the others. This all meant we were on the floor just after 6 securing our location and meeting our neighbors. Betty knows everybody.

Razzle dazzle is required in this section of the pit. Caturday? (Or “pigturday” if you are wearing a Pink Floyd concert tee from the Animals tour.)

There was no goofing off.

This fella has been to 333 Billy shows.

Ring bling.

This was the view. Dang.


Love Like Me
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There was some jam
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We were in charge of tequila procurement. That’s something we are mighty good at.


Bass solo
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Psycho (Jack Kittel)
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One of my favorite pictures from the show.

Billy deep in the moment.

Billy played some excellent old timey bluegrass.


Wait a Minute (Seldom Scene)
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Outstanding in all respects. We had even more fun Saturday than the other two shows we’ve attended. Betty must be on to something.

Last Things First: Nickel Creek and Andrew Bird, Oh My

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This was the kind of show you get to see once every long time. Just wow. We were in the fourth row in the Charlottesville Pavilion. Here’s how the show went, from the end to the beginning.  You know, last things first.

Anyway, what’s better than Nickel Creek OR Andrew Bird? How about some joint songs as an encore? I mean just listen to these two songs. So much joy and so much talent packed tight to a condenser circle.

Andrew Bird and Chris Thile are both at the top of their game. As a fiddle and mandolin player I can only watch slack-jawed.

Tumbleweed.

 

An as yet unreleased travel song written jointly.

The Nickel Creek set was excellent with Chris Thile exhibiting his particular manic genius with great enthusiasm and much fun. Such the jester.  And the best mandolin player alive on the planet.  Or, hell, maybe all time.

A wee snippet.

Destination Partial

This Side

Instrumental at the top of the set.

I mean Andrew Bird went first?! Holy shit he is so good.  Lets review from the end.

Pulaski

Caravan (from the new record of Jazz standards)

Orpheo

Sisyphus chords

I Fall in Love too Easily (also from the new Jazz record)

So anyway, that’s why we came.

Mike Viola opened the show. He was good.

While Mike was playing both Andrew and Chris came out to take a look. Nobody noticed. Well, almost nobody.

Romey the VIP

Pavilion