Our resident artist in Rialmosso, April Claggett, made some excellent pictures under lots of diverse constraints. Improvisational. Realtime constrained. Performance related. Then, like all of us, she ran out of time.
So it was up to me to preserve her pieces, roll them up, find a tube and fly them back to the US.
Eight of us have convened in Rialmosso, Italia to create some art together. Sadly, three of us were almost immediately infected with COVID from the trip across the ocean. So far, the other five of us are healthy and working together to create, well, something. Here’s how that is going.
We have a movement artist, a painter, and three musicians. For one section of the show we are performing this Sunday we’ve decided on an art form where we pass a token between us, one after another (and sometimes to a group). The idea is for each artist to improvise in their medium given what the artist before them came up with in another medium.
This set of videos shows our second attempt at this performance game.
Who, uh oh, passes the token to me (Gary McGraw). Fortunately, I was unable to film myself playing the violin. (Though you can find some video on Rhine’s blog Blame it on Sally.)
Now that Matt Savage has joined us on the piano, we have five players. This is an interesting experiment that we’re having fun with.
Ready…
Set…
Go…
We are also performing some classical music. Here is some Vivaldi being worked up. Sogol will dance to this once we figure it out.
A more pedantic video of the Vivaldi sessions.
There is Bach being worked up, and Chopin too.
And we’re spicing up some Where’s Aubrey tunes with simultaneous art and dance.
The incredible result of one of our improvisations
Our time together at Villa Emma has been filled with ideas, collaboration, and the joy of creating something together.
What happens when you convene an eclectic group of artists with a vague plan to “make something” involving music, dance, drawing, and possibly opera? Well who knows. We haven’t been able to find out yet as one of the dancers came to Italy with COVID (everyone tested on arrival) and spread it to two others in our group before proper quarantine set in. The biggest impact involved our fearless leader and chief convener Shooka taking to her bed.
The upshot on Sunday about three hours after landing in Italy was a hastily constructed spettacolo involving Bach, improvisational movement art to unplanned spontaneous music, and Where’s Aubrey in Miagliano, Italy. Amazingly, the people who came to see us actually enjoyed themselves.
We fittingly call ourselves, Into the Unknown.
Instruments fly from Germany
Giant guitar case travels well
Sogol plays Bach to open the show
The audience mostly avoided the actual amphitheater seats, instead opting for the shade
We shifted the “stage” to face the shade loving audience.
“Backstage” with a dobro
By far the most interesting part of the show was when the musicians played whatever occurred to them (us?) as the dancers moved to the improvisational music and the artist drew what she heard and saw. We divided that piece into eight parts defined by the artist. We also asked the audience to participate by drawing as well.
Movement art
Sogol and Dani and April
Where’s Aubrey performs with a kluged up sound system
Paparazzi
Sure
Ultimately, we all had a good time at our first performance (one of three planned so far). Benvenuto in Italia.
I first met Hiroya when he opened a sold out show for the Bitter Liberals in January 2018. We were frankly honored to have Hiro open for us. He was outstanding both in terms of technique and showmanship.
Hiro’s music tells a layered story soaked with emotional significance. Here are some pictures and videos from a recent show at the Barns of Rose Hill in Berryville, VA 10.19.18.
The most remarkable piece of the evening was an improvisation that Hiro put together during the second set. Influences of Eno, Fripp, Japan, and banjo are all evident and are masterfully woven into a beautiful piece.
Gemini Bridge is a core piece of Hiro repertoire. If you like how this sounds, you should buy a copy of the CD Heartland.
Hiro plays one guitar with a set of electronics used for balancing and layering with a sampler. He is a master of his technology (more than can be said for most musicians), and his use of sampling is both subtle and seamless. Masterful.
This song about fire was inspired by peaceful campfires with family in Japan.
I am always in awe of musicians who perform and tour full time and are not associated with a huge corporate act with a small support army. Make sure to go see Hiroya play if you ever get a chance.