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Writing Music at the Stick: Where’s Aubrey

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Where exactly does Where’s Aubrey music come from? Why The Stick of course!

2026 is going to be a music year. And there is work to be done to prepare. Working with Rhine is always a pleasure.

We worked. We had cocktails. We ate food. We moved in. We moved back out. 22 sketches into 12 songs ready to record (once we remember our arrangements).

Sketches are here.

On Death with Dignity

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I just put my horse Willie down today.  Actually, calling him my horse is a bit of an exaggeration.  He was Rhine and April’s horse, and Amy’s horse, and Romey’s horse, and also my horse.  I rode him for about five years before he was retired from the saddle eight or so years ago.  He lived in the field with Donkey Hodie after that, just being a horse.  He had a great life.

I want to tell you about Willie’s death.

First, a story.  My mother died of Leukemia in 2003.  Her death was a typical upper middle class American death—in a hospital bed, surrounded by her children and her husband of many years (my dad).  Mom had only suffered through cancer treatment for a year or so.  Having been stricken during a Thanksgiving drive north, she then briefly beat the cancer into remission with a bone marrow transfusion.  But in the end, the leukemia came raging back and killed her in a couple of weeks.

The last week was bad.  Basically, mom was gone and was being kept alive by vigilant hospital care—hydrated, fed through an IV, medicated, and drugged out of her mind.  We had a DNR order in place.  We tried “administering her drugs all at once.”  Basically every euphemism for euthanasia was obtusely explored.   But she hung in there for two or three days as we all kept vigil.  Finally her kidneys were overwhelmed by the morphine, I guess, and she started to balloon up as she went septic.  We all knew she was going to die, and there was absolutely no point in pretending otherwise.

So finally we had an idea.  “Lets hook her up with a self-administering morphine drip,” I said.  This for a woman who had not moved or said a word in three days.  The staff made it happen.  So “she,” meaning I, pressed the button for several hours until my mother finally died.  It was all very absurd and not at all easy.  I remember the death rattle and the weird intakes of air every 2 minutes near the very end.

Fast forward to twenty years later.  Willie was 32.  He only had 2 teeth left on each side of his mouth, and he could no longer chew grass.  He could eat grain, but not with any efficiency.  It took him hours to eat a couple of scoops.  Basically, Willie was slowly starving to death.  In consultation with the horse dentist, I decided he would suffer too much during the winter.  It was his time.

So I called the vet who has known willie for years.  He and his partner came out this morning.  Willie was in the paddock with Hodie having a last meal of grain.  He spent a couple of hours before that in the sun in the field, grazing without actually getting any grass chewed.  We walked him down to the spot where he will be buried, fed him some more grain, sedated him, and injected him all in about ten minutes.  Willie was calm when he died.  He died fast.  And he died easy.  He did not suffer a pointless winter, half starved.  In fact, he did not suffer at all.

When it comes time for me to die, I would rather die like Willie, with some dignity, than like my mother.

Goodbye Willie.  Thanks for being a good horse.  Good boy he was.

Where’s Aubrey, Hole now on Spotify

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Where’s Aubrey’s ninth record is also available on many streaming services including spotify, apple music, and youtube music.  Click the cover to launch spotify.  Each song also linked to spotify.

Ever Enough

Holes in My Pride

Drawing Back Your Blade

Restless Water

These Ain’t my Pearls

Forty Crows

Take it Away

Eli’s Song

Full Up

Far too Empty

It Ain’t that Far to Fall

One More Roadhouse

 

The record was released November 11, 2023 (double spinal tap day) during a show at the Barns of Rose Hill.

Where’s Aubrey at the Barns of Rose Hill 11/11

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Thanks to you, the Where’s Aubrey show Saturday 11/11 was a smashing success.  We played to an enthusiastic full house, missing a sell out of the venue by only four tickets.  JOBIE’s opening set was excellent.  An all around evening of great music performed for a good cause.

Speaking of which, together we raised $3305 on Saturday evening with $1983 going to the Shenandoah Riverkeeper to protect our local river.

We also released our ninth record, Hole, which is now available on most streaming services including spotify.  If you would like to join the 18 people who bought a physical copy of the CD for old time’s sake, just get in touch.

Where’s Aubrey before the show: Rhine Singleton, Charles Arthur, Gary McGraw, and Nick Schrenk.

Here are some pictures and videos of the show in approximate chronological order arranged by set lists.  What a night!

The band on stage: Nick on Drums, McGraw on fiddle, Rhine on Guitar, and Charles on everything else.

BORH 11/11: Set One

Your Lies Are Gone

 

Ghosts on the Farm

 

The Miles Roll By

Snippet only

 

Dirty Blond Haired Girl

 

Brown Like Your Cinnamon

*** (stage lighting changed as we performed the entire new record)

All songs linked below to spotify tracks from the record.

 

Ever Enough

 

Holes in My Pride

 

Drawing Back Your Blade

 

Restless Water

 

These Ain’t my Pearls

 

Forty Crows

 

Snippet only

 

BORH 11/11: Set Two

Take it Away

Eli’s Song

Full Up

Far too Empty

It Ain’t that Far to Fall

 

Snippet only

Ham Bone (during a broken string changing exercise)

 

One More Roadhouse

*** (record over, we ended the concert with full band)

Irish Goodbye (JOBIE cover)

Full video

 

Full video (different angle)

 

Devlish Situation

 

Into a Cloud

Snippet only

 

Has it Ever Been this Good

 

JOBIE opening set

Special thanks to Jen Lee for photographs and show publicity.  April Claggett also provided photos and videos.  Romey Michael provided video of Irish Goodbye.  Some images above are Copyrighted.

Two Bitter Liberals on Stage 11/11 in Berryville

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Nick Schrenk, the consumate Winchester-based jazz drummer, and Gary McGraw, lifetime fiddle player (or is that violin?), will be performing together on stage again during the Where’s Aubrey benefit concert for the Barns of Rose Hill. They will be joined by Richmond-based multi-instrumentalist and professional-musician, Charles Arthur, and Where’s Aubrey frontman, New-Hampshire-based Rhine Singleton.

Tickets are on sale now. We recommend getting your tickets in advance, soon. Use this link –> https://bit.ly/WA-BORH23 (or call the box office directly at (540) 955-2003).

See details on the poster below.

Nick Schrenk on the drums

Where’s Aubrey at the Barns of Rose Hill 11/11: Save the Date

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Where’s Aubrey will perform all original music from their brand new ninth record, Hole, at a benefit concert November 11th at the Barns of Rose Hill in Berryville.  All proceeds from the concert benefit the Shenandoah Riverkeepers.

Get your tickets now.

Here is a rough mix of track six on Where’s Aubrey’s new record Holes.  The record is currently in final production.

 

About: Local violinist Gary McGraw (The Bitter Liberals) and New Hampshire songwriter Rhine Singleton are Where’s Aubrey.  Where’s Aubrey will be joined at this show by Richmond multi-instrumentalist Charles Arthur (featured at the Virginia Museum of Fine Arts) and Winchester jazz drummer Nick Shrenk.  Where’s Aubrey is releasing a new record at the show called Holes.  Where’s Aubrey has performed since 1985, releasing nine records and raising $17,000 for charity. Singleton’s original songs, cloaked and hooded by McGraw’s improvisation on the fiddle and mandolin, range from old-timey folk music to modern jazz.

Gary McGraw has played the violin since he was just three years old (54 years for those of you counting), and has performed at Carnegie Hall, the Kennedy Center and the Barns of Rose Hill. McGraw met Singleton at the University of Virginia and Where’s Aubrey gradually coalesced into existence in the mid-90s and began recording all original music in 2001.  Gary is also a member of The Bitter Liberals.

Rhine Singleton played piano and violin as a teen, before switching to the acoustic guitar. In his time at the University of Virginia with McGraw, Singleton started singing and was inspired to write his own music. Soon after compiling a strong repertoire of original tunes, the duo began recording under the name Where’s Aubrey.

Although McGraw and Singleton regularly write and record music, it’s rare to see a live performance by Where’s Aubrey.

Date & Time: Saturday, November 11, 2023. Doors open at 6:00 PM and the concert starts at 7:00 PM.

Ticket Price: All tickets are general admission. $20 in advance until 3:00 PM on the day of the event. $25 at the door. Children 12 years and below are free when accompanied by an adult.

Ticket Information:

 or by calling the Barns of Rose Hill Box Office at 540-955-2004 (Noon to 3:00 PM – Tuesday through Saturday). When our Box Office is closed, please leave a message. All ticket sales are final; no exceptions and no exchanges.

Program Sponsors: We extend our special thanks to Michael Hobert and Mary Jane Lee for sponsoring this program!

Program Benefits: Proceeds from this show will benefit Shenandoah Riverkeeper, part of the Potomac Riverkeeper Network. A representative will be in attendance.

 

Performing in Campiglia Cervo: Into the Unknown

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The stadium in Campiglia Cervo is scaled to match the interstate highway system that blazes through the center of town.  We packed the stadium to the gills with what I am told was 65 people, including the vice mayor who introduced us, but not including the mayor himself who had more important things to do like look at himself in the mirror.  Just so you know, this was a much bigger show than the show Metallica put on at the same stadium!

The show was actually very good.  Intimate. Interesting. Tight.  During the rest of our time in Rialmosso we ran into lots of people who either attended or heard through the grapevine about our performance.  That was both really cool and very gratifying.

So what happened, exactly?

First we invented the idea.  And we practiced.  Then Matt arrived and things got remarkably much better.  in the end, the performance included:

April Claggett, realtime art

Gary McGraw, violin, mandolin and vocal harmony

Matt Savage, piano

Sogol Shirazi, piano and dance

Rhine Singleton, guitar, dobro, vocals, songwriting

The road crew set the stage after arriving the day before to check electricity levels and make sure all of the seating was available.  We have nothing but admiration for our intrepid road crew.  They work so hard so we can do what we do.

The show consisted of three parts as shown on the billboard above.

Here is a stage floor view of the set list for those of you collecting bootlegs.

And a view of the nosebleed seating in the back before anyone was in the house.  You can see the dancing props professionally built by our dedicated construction crew.

Publicity was run by our crack PR team who were able to put up a poster with the last of the tape.

Fortunately that poster was all it took to fill the space to the gills.  When we started (only 5 minutes late), people were standing because the seating was gone.  Even the reserved section for mastiffs and toddlers was full.

We sincerely appreciate the willingness of the locals in the area to support our art with enthusiasm and love!

The stage is set.  The weather is perfect.

And we’re off. Sogol and Matt play Bach together.

Dancing to Vivaldi Concerto in G major for Two Mandolins, Strings and Continuo, RV 532 (re-re-arranged for violin, guitar and piano).

Realtime art during We Will Float Away.

Then the game.

Here is a (raw) video compilation of the show, barely edited.  This is six minutes of an hour long show.

A complete properly-produced video will be available someday (or so we believe). We are told it is being edited by the BBC in cooperation with NPR.

Another view of the Finale from the audience.

We had so much fun inventing the game and performing it that we want to do it again.

 

 

Creating a New Art Form

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Eight of us have convened in Rialmosso, Italia to create some art together.  Sadly, three of us were almost immediately infected with COVID from the trip across the ocean.  So far, the other five of us are healthy and working together to create, well, something.  Here’s how that is going.

We have a movement artist, a painter, and three musicians.  For one section of the show we are performing this Sunday we’ve decided on an art form where we pass a token between us, one after another (and sometimes to a group).  The idea is for each artist to improvise in their medium given what the artist before them came up with in another medium.

This set of videos shows our second attempt at this performance game.

It all starts with April Claggett

 

Who passes the token to Rhine Singleton (uncharacteristically playing the dobro).

 

Who passes the token to Sogol Shirazi.

 

Who, uh oh, passes the token to me (Gary McGraw).  Fortunately, I was unable to film myself playing the violin.  (Though you can find some video on Rhine’s blog Blame it on Sally.)

Now that Matt Savage has joined us on the piano, we have five players.  This is an interesting experiment that we’re having fun with.

 

Ready…

Set…

Go…

We are also performing some classical music.  Here is some Vivaldi being worked up.  Sogol will dance to this once we figure it out.

A more pedantic video of the Vivaldi sessions.

There is Bach being worked up, and Chopin too.

 

And we’re spicing up some Where’s Aubrey tunes with simultaneous art and dance.

The incredible result of one of our improvisations

Our time together at Villa Emma has been filled with ideas, collaboration, and the joy of creating something together.

 

Making music Near Biella (Miagliano)

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What happens when you convene an eclectic group of artists with a vague plan to “make something” involving music, dance, drawing, and possibly opera?  Well who knows.  We haven’t been able to find out yet as one of the dancers came to Italy with COVID (everyone tested on arrival) and spread it to two others in our group before proper quarantine set in.  The biggest impact involved our fearless leader and chief convener Shooka taking to her bed.

The upshot on Sunday about three hours after landing in Italy was a hastily constructed spettacolo involving Bach, improvisational movement art to unplanned spontaneous music, and Where’s Aubrey in Miagliano, Italy. Amazingly, the people who came to see us actually enjoyed themselves.

We fittingly call ourselves, Into the Unknown.

Instruments fly from Germany

 

Giant guitar case travels well

 

Sogol plays Bach to open the show

 

The audience mostly avoided the actual amphitheater seats, instead opting for the shade

We shifted the “stage” to face the shade loving audience.

 

“Backstage” with a dobro

By far the most interesting part of the show was when the musicians played whatever occurred to them (us?) as the dancers moved to the improvisational music and the artist drew what she heard and saw.  We divided that piece into eight parts defined by the artist.  We also asked the audience to participate by drawing as well.

Movement art

 

Sogol and Dani and April

 

Where’s Aubrey performs with a kluged up sound system

 

Paparazzi

 

Sure

Ultimately, we all had a good time at our first performance (one of three planned so far). Benvenuto in Italia.

More about the show can be found on Rhine’s blog.

 

Birthday Show in New Hampshire: Where’s Aubrey

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Where’s Aubrey
photo by Tom Singleton

What’s the best way to celebrate birthday 52? With a show in New Hampshire of course. Where’s Aubrey played a show in the middle of nowhere in New Hampshire for a receptive audience at the Mole Hill Theater. As always, we played a benefit performance, this time for the LEAF (nutritious lunch) program of a public charter school operating out of the same revamped machine shop where we played the show.

Alstead

A machine

We played our sets right next to a huge blue machine. Not sure what it actually used to do. Stamp out complete cars??

Where’s Aubrey and the big blue machine

The show was high energy and fun, one of the best we’ve played.

Where’s Aubrey: Gary McGraw and Rhine Singleton

Laying into the fiddle

Rhine sings

Mando and the big blue behemoth

Where’s Aubrey in Alstead, NH

no silly allowed? definitely no silly.

fiddle and the big blue behemoth

What kind of stuff does it take to play an acoustic act??

the stage

Well, to be fair, we played our two set show. Then after a break we electrified the whole thing with drums, bass, and electric guitar. The LEAF Cutters were born. Dancing happened. Much fun was had.

=====
A message from Rhine

Dear Friends and Music Lovers –

Because you and so many others turned out last Saturday night, we not only had a total blast playing music, we raised $1250 for the healthy lunches program at the LEAF school through donations at the door. The silent auction brought in another $1000, so the event truly was a smashing success!

And, you were a wonderful audience to play for. So, we’re sending our heartfelt thanks. Hope to see you at another music event before too long!

fin

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