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And now for something completely different: Allan James in the Park

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Allan James and I have played together a few times late night at a soltice party or during jam sessions at the cabin, but we had never performed together until this July 25th. On a steaming hot day, clocking in at 94 degrees in the shade, we played a couple of sets to an appreciative audience in the park at Rose Hill in Berryville.

We had a blast. Here’s how that went.

We played 20 original songs all written and performed by Allan. After just a handful of practice sessions, we were ready…


Lonely Little Bird


Low Down Dirty

The music was just as hot as the evening. You can find many of the songs we performed on Allan’s CDs.

Jazz in Paris: Karl Jannuska at Sunset-Sunside

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Well it’s not Caveau de la Huchette, but Sunset-Sunside is a great place to see a jazz show, especially if you want to sit close enough to the stage to read the music off the guitar player’s stand!   We were lucky to catch the album release show for The Pull by Karl Jannuska (of Manitoba Canadian-fame now living in Paris).  The show was very good.

Just how close to the stage?

A complete version of Unsung (track 11 on The Pull).

Karl is an absolutely outstanding drummer.

This guitarist is also astoundingly good.  Revel in his finger work and tasty, subtle melody stitches (partial).

A jam (partial) from Picture Perfect, track 6 from The Pull.

 

The piano player (who also worked on the recording in an important capacity) held down the bass.  This was by far the trickiest part of the gig and mostly worked.  Seeing Karl preside over the rhythm section with a real bass player would be a dream.

I know the challenge of having recorded tracks that you perfected in the studio in your head that are nigh on impossible to redo live due to the two instruments problem.  Sometimes I switch back and forth inside of one song when performing.  At least piano players get two hands.

So What’s Next?, track 2 on The Pull, featured an outstanding release jam reminiscent of Miles’ Bitches Brew tracks.  Watching this happen live really makes me want to grab my fiddle and hop in.

The sound guy spent a bit too much time recording and not enough watching what was going on.  But I’m sure those were his marching orders.

Track 13 from The Pull, Unfiltered Life (complete) features some excellent guitar work from the other guitarist (whose back we watched).  In this track he channels Andy Summers.  I like this live version better than the recorded track, mostly because there were points when things got iffy and the band persisted).

 

For the third set, we moved out front.

For a last minute, “lets just pop the TGV to Paris early” plan, attending this show was absolutely lucky as hell.  Thanks Karl for a very memorable evening.  May we cross paths again.

Get a copy of The Pull from Bandcamp here.  You won’t regret it.

DJ Williams Back Home in RVA

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Well, not really back home. DJ Williams now lives in Colorado. But his roots are in Richmond.

We went to see DJ perform at Anytime Beer Company. Honestly, though the brewery might be awesome, we’re just not beer people. In fact, before the show was on, we spent some time next door at the Lion’s Den Cigar Bar and had way more fun. But hot damn is DJ Williams excellent and the band is tight.

We were on a secret scouting mission for our up coming 5/25/25 nuptials. So glad he is involved in the plan!

Of course there was xmas music. Obligatory.

Orange on the Blue Ridge

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An original musical, Orange on the Blue Ridge was performed twice at the BORH. Here are some pictures. (More information can be found on Facebook…not linked here).

Sigur Ros will Change your Soul

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Ethereal. Scandanavian. As deep as the ocean. You can get all of those things without seeing Sigur Ros live, but when you do. Just wow.

We started our evening this time at The Grill on the wharf. Of the three restaurants we’ve been too lately, it is the best. That’s not saying that much though. Hanks Oyster bar needs work. La Vida is workaday. And The Grill? One notch over workaday. This is what happens when good restaurants are “suburbanized” for new development. Alas.

But really who cares when there is a band in from Iceland? With an orchestra.

The anthem was dressed for a concert with seating everywhere.

The show was out of this world. Well more like it was of this world in a different cultural context. We need more feels like this in the modern American experience.

It started with 8.

And it didn’t pick up from there as much as settle in. Even the tech bro in the row behind us shut up and ate his words.


Straláfur


Untitled 1 from ()

There were some crowdpleasers (songs that we love too), but the songs from () were excellent.


untitled 5

And the song you’ve all been waiting for…


hoppipolla

An evening to remember.

St Vincent Could not Cure the Sick

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It started with corn-shaped cornbread and slightly-too-sweet cocktails, so what do you expect?  It ended earlier than planned due to some virus from Ohio.

 

St Vincent put on a hella show at the Anthem, GA was non-optimal but we went way up high in the stands and that was a good call. So much more produced and click-tracky than the other shows we have seen this summer. St Vincent is almost ready for arena rock.

Was it Spinal Tap??


Los Angeles


Sweetest Fruit


Surgeon

Sadly, we opted to head home before New York. But it was a good thing we did. That virus from Ohio was a doozy.


Encore by Maybe

Where’s Aubrey at the Barns of Rose Hill 11/11

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Thanks to you, the Where’s Aubrey show Saturday 11/11 was a smashing success.  We played to an enthusiastic full house, missing a sell out of the venue by only four tickets.  JOBIE’s opening set was excellent.  An all around evening of great music performed for a good cause.

Speaking of which, together we raised $3305 on Saturday evening with $1983 going to the Shenandoah Riverkeeper to protect our local river.

We also released our ninth record, Hole, which is now available on most streaming services including spotify.  If you would like to join the 18 people who bought a physical copy of the CD for old time’s sake, just get in touch.

Where’s Aubrey before the show: Rhine Singleton, Charles Arthur, Gary McGraw, and Nick Schrenk.

Here are some pictures and videos of the show in approximate chronological order arranged by set lists.  What a night!

The band on stage: Nick on Drums, McGraw on fiddle, Rhine on Guitar, and Charles on everything else.

BORH 11/11: Set One

Your Lies Are Gone

 

Ghosts on the Farm

 

The Miles Roll By

Snippet only

 

Dirty Blond Haired Girl

 

Brown Like Your Cinnamon

*** (stage lighting changed as we performed the entire new record)

All songs linked below to spotify tracks from the record.

 

Ever Enough

 

Holes in My Pride

 

Drawing Back Your Blade

 

Restless Water

 

These Ain’t my Pearls

 

Forty Crows

 

Snippet only

 

BORH 11/11: Set Two

Take it Away

Eli’s Song

Full Up

Far too Empty

It Ain’t that Far to Fall

 

Snippet only

Ham Bone (during a broken string changing exercise)

 

One More Roadhouse

*** (record over, we ended the concert with full band)

Irish Goodbye (JOBIE cover)

Full video

 

Full video (different angle)

 

Devlish Situation

 

Into a Cloud

Snippet only

 

Has it Ever Been this Good

 

JOBIE opening set

Special thanks to Jen Lee for photographs and show publicity.  April Claggett also provided photos and videos.  Romey Michael provided video of Irish Goodbye.  Some images above are Copyrighted.

Two Bitter Liberals on Stage 11/11 in Berryville

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Nick Schrenk, the consumate Winchester-based jazz drummer, and Gary McGraw, lifetime fiddle player (or is that violin?), will be performing together on stage again during the Where’s Aubrey benefit concert for the Barns of Rose Hill. They will be joined by Richmond-based multi-instrumentalist and professional-musician, Charles Arthur, and Where’s Aubrey frontman, New-Hampshire-based Rhine Singleton.

Tickets are on sale now. We recommend getting your tickets in advance, soon. Use this link –> https://bit.ly/WA-BORH23 (or call the box office directly at (540) 955-2003).

See details on the poster below.

Nick Schrenk on the drums

Where’s Aubrey Hole, Post-production

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Production studio work (setting levels, sound for each instrument, balance, stereo targeting, effects, and choosing tracks) took a couple of days.  Jeff Reid’s studio console looks like this.

Day 2…same scene.

Moonshine came along and he was mostly bored.

Here is what happens during production in three snapshots using the song “One More Roadhouse” as an example.

Raw from the studio tracks, unproduced, arbitrary balance and no targeting

Final studio production, unmastered

Final mastered cut

Where’s Aubrey: New Song from Hole

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Where’s Aubrey has completed work on a new record (now in duplication pre-release) called Hole. The last track on the record is a Where’s Aubrey classic called “one more roadhouse.” Here is a pre-release version of that song all mastered and ready to go,

The Ulluh and his sister created the art for the new record, about which more later. Here’s the cover.

Hole will be released on November 11th (veterans day) at the Barns of Rose Hill in Berryville. We hope you will come join us.

Get your tickets now!

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